Approach Assays Critical Medieval Renaissance Text

The late medieval masterpiece Celestina has long been the focus of controversy, over both its authorship and the apparent contradictions and inconsistencies within its plot. Scholars trace the publication of Celestina to 1499, when Fernando de Rojas supposedly discovered the first act and completed the remainder of the drama within a two-week period. The plot centers on the ill-fated love of Calisto and Melibea and the fascinating character of the old bawd, Celestina. Scholars disagree about how to interpret the meeting of the two lovers in the first scene, when they share an unusual conversation that is incongruous with their comportment in the remainder of the work. Ricardo Castells seeks to resolve this and other seeming contradictions by tracing the oneiric, phantasmal, and melancholic traditions of the Renaissance and their effect on the composition of Celestina. Castells explores the European cultural and literary tradition -- works of both fiction and nonfiction that would have been available to Rojas -- to discover theoretical approaches to the physiology of lovesickness and its accompanying dreams and visions. He employs the themes of love, medicine, and dreams in these works to explain the seemingly illogical progression of the play's action and the ultimately detrimental effects of melancholy, lovesickness, and sensual contamination on the protagonist, Calisto. In so doing, Castells places Celestina within its appropriate cultural and historical context, enriching our perception not only of the text itself but also of the traditions that helped to produce it.

This new edition of Classical Literary Criticism contains the landmarks of ancient literary criticism in accessible and lucid translations. In her Introduction Penelope Murray shows how many of the most fruitful approaches to understanding literature in the Western tradition derive from these canonical texts. Plato is often regarded as the most poetic of the great philosophers, but he mistrusted the god-like power of poets to work on our feelings and famously banished them from his ideal Republic. Aristotle responded by defending the value of art in his Poetics. His analysis of tragedy, with its key concepts of mimesis, catharsis and hamartia, has influenced generations of critics from the Renaissance onwards. Horace's The Art of Poetry is a vivid practitioner's guide that promotes a style of poetic craftsmanship rooted in wisdom, ethical insight and decorum, while Longinus' remarkable On the Sublime explores the nature of inspiration in poetry and prose. This edition also features a new bibliography and chronology as well as comprehensive notes to each of the texts.

Critical applied linguistics - Critical applied linguistics (CALx) is an emerging interdisciplinary approach to English applied linguistics. One of the central concerns in this approach is exposing the power dynamics of mainstream applied linguistics.

Christoph Luxenberg - ... 2000 book Die Syro-Aramäische Lesart des Koran: Ein Beitrag zur Entschlüsselung der Koransprache (in English: The Syro-Aramaic reading of the Qur'an: a contribution to the decipherment of the Quranic language). This book explores a philological and text-critical approach to the understanding of the Qur'an.

Critical technical practice - Critical technical practice is an approach of technological design proposed by Phil Agre where critical and cultural theories are brought to bear in the work of designers and engineers. One of the goals of critical technical practice is to increase awareness and critical reflection on the hidden assumptions, ideologies and values underlying technology design.

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